angel Lord kills Assyrians Itaque fuit nocte eadem

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angel Lord kills Assyrians Itaque fuit nocte eadem

The angel of the Lord kills the Assyrians Itaque fuit nocte eadem, ut prodiens angelus Iehovae percuteret in Castris Assyriorum... (title on object) night an angel kills many soldiers in the army camp of the Assyrians. In the foreground King Sanherib and his followers. Below the show the title in Latin, a four-line verse in Dutch, French, German and English and a reference to the Bible text in 2 Kon. 19:35. At night, an angel of the Lord decimates the Assyrian camp: 185 000 soldiers are killed, anonymous, Amsterdam, 1616 - 1657 and/or 1652 - 1702, paper, engraving, h 413 mm × w 517 mm

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 19542143

© Artokoloro

1616 1652 1657 1702 Angel Army Camp Bible Text Followers Four Line Verse Killed Latin Night Reference Soldiers Title Assyrians

EDITORS COMMENTS
The captivating print titled "Angel Lord kills Assyrians Itaque fuit nocte eadem" depicts a momentous event from biblical history. In the foreground, we see King Sanherib and his loyal followers witnessing an awe-inspiring scene unfold before their eyes. The title in Latin sets the stage for what is about to occur - "night an angel kills many soldiers in the army camp of the Assyrians". As we delve deeper into this remarkable artwork, we are reminded of the verse from 2 Kings 19:35 which serves as a reference to this extraordinary occurrence. At nightfall, an angel of the Lord emerges and unleashes devastation upon the Assyrian camp, resulting in the demise of a staggering 185,000 soldiers. This engraving masterfully captures both the power and divine intervention that took place during this historical event. The artist's attention to detail brings forth a sense of realism as we witness chaos unfolding amidst darkness. Accompanying this striking image are four lines of verse presented in Dutch, French, German, and English languages. These verses further emphasize the significance and impact of this celestial intervention on that fateful night. This exceptional piece hails from Amsterdam between 1616-1657 or possibly between 1652-1702. Printed on paper with meticulous engravings measuring approximately 413mm by 517mm, it stands as a testament to both artistic skill and profound religious narrative.

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