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Bream Abramis brama Braessem Brama Brme title
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Bream Abramis brama Braessem Brama Brme title
Bream (Abramis brama), Braessem. / Brama. / Breme. (title on object), Bream. Numbered top right: 12. Top left the name in three languages. Part of the sixth album with drawings of fish, shells and insects. Sixth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French, bony fishes (with NAME), Anselmus Boetius de Boodt, 1596 - 1610, paper, pencil, chalk, watercolor (paint), deck paint, ink, pen, h 179 mm × w 307 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19551685
© Artokoloro
1596 1600 1610 Animals Anselmus Boetius De Boodt Birds Bony Fishes Chalk Commissioned Deck Paint Emperor Rudolf Ii Explanation Fish Insects Latin Name Numbered Top Right Pencil Plants Shells Sixth Sixth Album Three Languages Title Top Left Twelve Albums Abramis Brama Brama Bream
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EDITORS COMMENTS
This print showcases the exquisite beauty of a Bream (Abramis brama), also known as Braessem, Brama, or Breme. The title on the object emphasizes its significance and allure. Numbered at the top right corner as 12, this artwork is part of the sixth album featuring stunning drawings of fish, shells, and insects. Commissioned by Emperor Rudolf II during the late 16th to early 17th century, these twelve albums were meticulously crafted by Anselmus Boetius de Boodt. They depict various animals, birds, and plants that were well-known during that era. The attention to detail in this particular drawing is remarkable; every scale seems delicately portrayed using pencil and chalk. Watercolor paints add vibrancy to its colors while deck paint enhances certain features with precision. Ink and pen are skillfully employed for finer lines. Measuring approximately 179 mm in height and 307 mm in width, this artwork stands out not only for its artistic merit but also for its scientific value. Accompanied by explanations written in Dutch, Latin, and French languages, it serves as an educational resource on bony fishes. As part of the Liszt Collection's vast assortment of historical prints like these ones from centuries ago—please note that commercial use is not mentioned—the photograph captures a moment frozen in time when artistry met natural history exploration.
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