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Cartouche allegory Jewish history Title page
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Cartouche allegory Jewish history Title page
Cartouche with allegory on Jewish history Title page for: Kornelis Westerbaen, General histori, 1743, The Jewish virgin is besieged by three soldiers. In the background the destruction of Rome. On the left in the foreground two putti, one with the Turkish crescent in hand, representing the rise and fall of the world empires (the Partian, Persian and Syrian Empire). In the frame of the cartouche medallions with biblical scenes, personifications of countries, nations, states, districts, etc, the empires of the world, destruction of conquered city, violent death by weapon, Rome, Jan Caspar Philips (mentioned on object), Amsterdam, paper, etching, h 168 mm × w 123 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19543029
© Artokoloro
1743 Allegory Background Besieged Biblical Scenes Cartouche Countries Destruction Districts Fall Frame Hand Nations Persian Personifications Representing Rise States Three Soldiers Violent Death Weapon Empires Jan Caspar Philips Mentioned
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EDITORS COMMENTS
The captivating print showcases a mesmerizing cartouche allegory on Jewish history, serving as the title page for Kornelis Westerbaen's "General histori" published in 1743. The central focus of the artwork depicts the Jewish virgin under siege by three soldiers, while in the background, the destruction of Rome unfolds. Symbolism abounds within this intricate composition; on the left side of the foreground, two putti are seen, with one holding a Turkish crescent representing the rise and fall of various world empires such as Parthian, Persian, and Syrian. The frame surrounding this elaborate scene is adorned with medallions featuring biblical scenes and personifications of countries, nations, states, districts - essentially encompassing all known empires throughout history. These medallions also depict images portraying conquered cities and violent deaths caused by weaponry. Created through meticulous etching techniques on paper measuring approximately 168 mm in height and 123 mm in width, this remarkable piece bears mention to its creator Jan Caspar Philips from Amsterdam. This evocative print from Liszt Collection offers an intriguing glimpse into historical events intertwined with religious symbolism. It serves as a testament to humanity's complex tapestry woven through centuries of conquests and conflicts that have shaped our world today.
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