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Dead Tachybaptus ruficollis Duikerkin Mergulus
Wall Art and Photo Gifts from Liszt Collection
Dead Tachybaptus ruficollis Duikerkin Mergulus
Dead (Tachybaptus ruficollis), Duikerkin / Mergulus. / Castagnieux. (title on object), Dodaars. Numbered top right: 17. With the name in five languages. Part of the third album with drawings of birds. Fifth of twelve albums with drawings of animals, birds and plants known around 1600, commissioned by Emperor Rudolf II. With explanation in Dutch, Latin and French, Anselmus Boetius de Boodt, 1596 - 1610, paper, watercolor (paint), deck paint, pencil, chalk, ink, pen, h 159 mm × w 274 mm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19550731
© Artokoloro
1596 1600 1610 Animals Anselmus Boetius De Boodt Birds Chalk Commissioned Dead Deck Paint Emperor Rudolf Ii Explanation Fifth Five Languages Latin Numbered Top Right Pencil Plants Tachybaptus Ruficollis Third Album Title Twelve Albums
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EDITORS COMMENTS
This print titled "Dead Tachybaptus ruficollis Duikerkin Mergulus" showcases the exquisite artistry and scientific precision of Anselmus Boetius de Boodt. Created between 1596 and 1610, this piece is part of the third album in a series commissioned by Emperor Rudolf II. The image portrays a deceased Tachybaptus ruficollis, commonly known as the Little Grebe or Dodaars. With meticulous detail, De Boodt captures the bird's delicate features using various mediums such as watercolor, pencil, ink, and chalk. The artist's expertise shines through in his ability to bring forth both beauty and accuracy. Displayed alongside the illustration are informative descriptions written in Dutch, Latin, French - showcasing De Boodt's dedication to sharing knowledge across languages. Numbered at the top right corner with '17', it adds an element of organization within this vast collection. This particular artwork is housed within one of twelve albums that encompass animals, birds, and plants known during the early 17th century. Each drawing serves as a testament to De Boodt's commitment to cataloging nature's wonders for future generations. As we admire this remarkable print from Liszt Collection today, we can appreciate not only its aesthetic appeal but also its historical significance. It stands as a testament to human curiosity and our enduring desire to explore and understand our natural world.
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