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Self Portrait in Colonial Dress, 1874 (oil on board laid on panel)
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Self Portrait in Colonial Dress, 1874 (oil on board laid on panel)
651026 Self Portrait in Colonial Dress, 1874 (oil on board laid on panel) by Johnson, David (1827-1908); 31.3x23.5 cm; Private Collection; (add.info.: Self Portrait in Colonial Dress. David Johnson (1827-1908). Oil on board laid on panel. Signed and dated 1874. 31.3 x 23.5cm); Photo eChristies Images; American, out of copyright
Media ID 22692122
© Christie's Images / Bridgeman Images
102011upload 1870s 1874 Accessories American Artist American Painting Artist American Auto Portrait Autoportrait Black Color Black Colour Brown Hair Brunette Bust Length Collar Colonisation Cunning Dark Hair Direct Gaze Eyeglasses Facial Expression Frill Glasses Historic Event Historical Event Historical Events Johnson Laid Down Laid On Panel Looking At Camera Neckwear Oil On Board Olden Time One Man Only Outer Garment Personal Accessory Quarter Length Self Portrait Shirt Smile Spectacles White Color Apparel David Johnson Ethnic Origin Portrait Style Portraiture
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Self Portrait in Colonial Dress, 1874 - A Glimpse into the Artist's Identity
EDITORS COMMENTS
. In this self-portrait, artist David Johnson transports us back to the late nineteenth century with his portrayal of himself in colonial attire. The oil painting, measuring 31.3 x 23.5cm and signed and dated by Johnson in 1874, showcases his meticulous attention to detail. Johnson's quarter-length portrait style allows us to focus on his expressive face and engaging smile. With a raised eyebrow and direct gaze at the camera, he exudes confidence and curiosity. His brown hair is neatly combed back, revealing a receding hairline that adds character to his appearance. Dressed in a black jacket adorned with neckwear typical of the colonial era, Johnson captures the essence of historical fashion trends. The white-colored garment beneath complements his complexion while emphasizing the contrast between light and dark tones. The use of spectacles further enhances Johnson's intellectual aura as an artist immersed in his craft. Through this self-portrait, we gain insight into both his personal identity as an American painter during this period and the broader historical context surrounding colonialism. Displayed against a laid-down panel background inside what appears to be an art studio setting, Johnson masterfully combines elements of portraiture with historic symbolism. This print serves as a testament to both artistic skill and cultural significance within nineteenth-century America.
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