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Emma-O, late 16th-early 17th century (wood, lacquer, gold gilt, and glass)
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Emma-O, late 16th-early 17th century (wood, lacquer, gold gilt, and glass)
1072400 Emma-O, late 16th-early 17th century (wood, lacquer, gold gilt, and glass) by Momoyama Period (1568-1600); 114.3x101.6x76.2 cm; Dallas Museum of Art, Texas, USA; (add.info.: Emma-Ac, in Japanese Buddhist mythology, the overlord of hell (Jigoku), corresponding to the Indian deity Yama.); Japanese, out of copyright
Media ID 22214408
© Bridgeman Images
Buddhist Cross Legged Demon Demonic East Asian Fearsome Gods Hellish Judging Monstrous Mythical Scary Sculpted Terrifying Underworld Junge Tyrannical
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This print showcases the awe-inspiring sculpture of Emma-O, a significant figure in Japanese Buddhist mythology. Created during the Momoyama Period between the late 16th and early 17th centuries, this artwork is an exquisite example of East Asian craftsmanship. Carved from wood and adorned with lacquer, gold gilt, and glass, this imposing sculpture stands at an impressive height of 114.3 centimeters. Its intricate details bring to life the terrifying presence of Emma-O, also known as the overlord of hell or Jigoku in Japanese folklore. Seated cross-legged with a tyrannical aura, Emma-O is depicted as a fearsome deity who judges souls in the underworld. His monstrous appearance and demonic headdress evoke both fascination and dread among viewers. The artist skillfully captures every aspect of this mythological character's essence – from his menacing expression to his commanding posture. This portrayal reflects not only the religious significance but also serves as a reminder of humanity's mortality. Housed within the Dallas Museum of Art in Texas, USA, this remarkable piece offers visitors a glimpse into Japanese Buddhism and its rich mythological traditions. The profound symbolism embodied by Emma-O continues to captivate audiences worldwide through its timeless appeal.
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