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Ballroom Scene, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) 1930 (pochoir print)
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Ballroom Scene, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) 1930 (pochoir print)
STC98144 Ballroom Scene, illustration from Les Liaisons Dangereuses by Pierre Choderlos de Laclos (1741-1803) 1930 (pochoir print) by Barbier, Georges (1882-1932); Private Collection; The Stapleton Collection
Media ID 25142564
© The Stapleton Collection / Bridgeman Images
18th Century Costume 1934 Barbier Georges 1882 1932 Corruption Dangerous Evil Gossip Stencil Whispering
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EDITORS COMMENTS
This pochoir print, titled "Ballroom Scene" is an exquisite illustration from the renowned novel Les Liaisons Dangereuses by Pierre Choderlos de Laclos. Created in 1930 by the talented artist Georges Barbier, this artwork beautifully captures the essence of a decadent and morally ambiguous society. The scene depicts a lavish ball set in 18th century France, where opulent costumes and masks conceal hidden intentions. The central figure, Madame de Merteuil, exudes an air of calculated evil as she engages in whispered conversations with other guests. Her presence symbolizes corruption and manipulation within this amoral society. Barbier's meticulous attention to detail brings every element to life – from the ornate decorations adorning the ballroom walls to the intricate patterns on each character's attire. Through his masterful use of stencils and vibrant colors, he transports us back to a time when gossip was rampant and dangerous liaisons were commonplace. As we gaze upon this stunning piece of art, we are reminded of the timeless themes explored in Les Liaisons Dangereuses – deceit, betrayal, and power struggles among aristocrats. It serves as a visual testament to Barbier's skill as an illustrator and his ability to capture complex emotions through his brushstrokes. This print is not just a beautiful work of art; it also offers us a glimpse into French culture during that era. It stands as a testament to Barbier's contribution to French arts and showcases his
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