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The Dead Christ Mourned (The Three Maries), ca 1604. Artist: Carracci, Annibale (1560-1609)
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The Dead Christ Mourned (The Three Maries), ca 1604. Artist: Carracci, Annibale (1560-1609)
The Dead Christ Mourned (The Three Maries), ca 1604. Found in the collection of the National Gallery, London
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Media ID 14899386
© Fine Art Images
Annibale 1560 1609 Ascension Of Christ Belief Bolognese School Carracci Christs Appearance Compassion Dead Body Of Christ Descent From The Cross Devoted Disciple Of Jesus Christ Easter Entombment Of Christ Faith Glorious Mystery Heaven Holy Women Lamentation Lamentation Of Christ Loyalty Magdalen Magdalene Mannerism Mary Magdalen Mary Magdalene Mary Of Magdala Myrrhbearers Our Lady Of Sorrows Piet Resurrection Resurrection Of Christ Salvation The Three Marys Three Holy Women Three Maries Three Marys
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This print showcases "The Dead Christ Mourned (The Three Maries)" painted by the talented artist Annibale Carracci in approximately 1604. Housed in the esteemed National Gallery, London, this Italian masterpiece evokes a profound sense of belief and faith. At its core, this painting represents the Easter story and the resurrection of Jesus Christ. The image depicts Virgin Mary, Magdalen, and another loyal follower mourning over the lifeless body of Christ. Their expressions convey deep compassion and sorrow as they grieve for their beloved teacher. Carracci's meticulous attention to detail is evident in every brushstroke on this oil-on-canvas artwork. The composition exudes a sense of loyalty and devotion as it captures a pivotal moment from biblical history - the descent from the cross. Mannerism influences can be observed through Carracci's masterful use of color and form, creating an ethereal atmosphere that transports viewers into a realm where heaven meets earth. This painting serves as a visual representation of salvation according to Christian beliefs found in the New Testament. "The Dead Christ Mourned" invites contemplation on themes such as sacrifice, redemption, and divine love. It stands as a testament to Carracci's skillful craftsmanship within Bolognese School artistry. As we gaze upon this remarkable piece captured by Fine Art Images' lens, we are reminded of Mary Magdalene's unwavering dedication to her role as one of Jesus' devoted disciples. Her presence symbol
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