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Design for a Rocaille Cartouche with the Figure of a Putto, Plate 3 from an
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Design for a Rocaille Cartouche with the Figure of a Putto, Plate 3 from an
Design for a Rocaille Cartouche with the Figure of a Putto, Plate 3 from an untitled series with architectural cartouches and allegorical figures, Printed ca. 1750-56
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Media ID 23866435
© Heritage Art/Heritage Images
Amorini Angelic Cartouche Cherubim Cherubs Jacob Gottlieb Thelot Jeremias Wachsmuth Rocaille Rococo Era Thelot Jacob Gottlieb Wachsmuht Jeremias I Wachsmuth Jeremias Waxmuth Jeremias Baroque Era Cherub Putti Rococo
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EDITORS COMMENTS
This print showcases a stunning design for a rocaille cartouche with the figure of a putto. Plate 3 from an untitled series with architectural cartouches and allegorical figures, this artwork was printed around 1750-56 during the baroque era. The intricate details and delicate lines captured in this etching exemplify the artistry of Jacob Gottlieb Thelot, a German artist. The focal point of the image is the cherubic putto, gracefully positioned within the ornate rococo framework. Symbolizing love and innocence, this angelic figure adds a touch of whimsy to the overall composition. Surrounding it are elaborate floral motifs that epitomize the rocaille style popular during this period. Displayed at The Metropolitan Museum of Art, this print represents an important piece of heritage art. It serves as a testament to Thelot's mastery in capturing both architectural elements and allegorical figures in his work. As we gaze upon this image, we are transported back to eighteenth-century Germany where artists like Jeremias Wachsmuth were creating remarkable pieces that defined an entire artistic movement. This photograph allows us to appreciate not only their skill but also their contribution to our understanding of baroque aesthetics.
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