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Humpty Dumpty, 1878 (1895)
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Humpty Dumpty, 1878 (1895)
Humpty Dumpty, 1878 (1895). First rough pencil sketch for Punch cartoon Disraeli and Cyprus supporting a Humpty Dumpty figure representing the Ottoman Empire sitting on top of a wall representing the Asian frontier. Under the terms of the Cyprus Convention, a secret agreement negotiated by Britain and the Ottoman Empire, the Ottomans agreed to cede control of Cyprus to Britain in return for British support at the Congress of Berlin. A print from The Magazine of Art, Cassell and Company, Limited, London, Paris and Melbourne, 1895
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Media ID 14947121
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Beaconsfield Benjamin Benjamin Disraeli Congress Conservative Conservative Party Cyprus Diplomacy Disraeli Dizzy Earl Of Beaconsfield Foreign Affairs International Relations John Tenniel Lord Lord Beaconsfield Ottoman Empire Prime Minister Print Collector9 Punch Punch Or The London Charivari Sir John Tenniel Supporting Tenniel Turkey Turkish Viscount Hughendon Of Hughendon Allegorical Figure Congress Of Berlin Satirical
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EDITORS COMMENTS
This print, titled "Humpty Dumpty, 1878 (1895)", captures a powerful political allegory of the late 19th century. Created as a rough pencil sketch for Punch cartoon, it depicts Benjamin Disraeli and Cyprus supporting a Humpty Dumpty figure symbolizing the crumbling Ottoman Empire. The wall beneath Humpty Dumpty represents the Asian frontier. The artwork references the secret Cyprus Convention between Britain and the Ottomans in which control of Cyprus was ceded to Britain in exchange for British support at the Congress of Berlin. This agreement played a significant role in shaping international relations during that time. Sir John Tenniel's skilled hand brings this satirical caricature to life, showcasing his talent as an artist and political commentator. The intricate details highlight Disraeli's conservative party affiliation while emphasizing his role as Prime Minister of England. Through this piece, we witness how art can be used to convey complex concepts such as diplomacy and foreign affairs. It serves as both a historical record and an artistic expression of its era. Displayed prominently in The Magazine of Art by Cassell and Company Limited in London, Paris, and Melbourne in 1895, this print continues to captivate viewers with its thought-provoking imagery. Its monochrome aesthetic adds depth to its message while allowing us to appreciate the skillful engravings that bring these influential figures to life. Overall, "Humpty Dumpty" is not just an ordinary illustration; it is a testament to how art can serve as a medium for political commentary throughout history.
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