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Jedburgh Abbey, 1882, (1897). Artist: Alexander Francis Lydon

Jedburgh Abbey, 1882, (1897). Artist: Alexander Francis Lydon


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Jedburgh Abbey, 1882, (1897). Artist: Alexander Francis Lydon

Jedburgh Abbey, 1882, (1897). From The Ruined Abbeys of Britain by Frederick Ross. [William Mackenzie, London, 1897]

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Media ID 14985201

© The Print Collector

Abbey Af Lydon Alexander Francis Alexander Francis Lydon Alexander Lydon Augustinian Disrepair Frederick Frederick Ross Jedburgh Jedburgh Abbey Lydon Mackenzie Path Rambling Ross Ruined Abbeys Of Britain Scottish Borders William Mackenzie Faaade


FEATURES IN THESE COLLECTIONS

> Architecture > Country > Scotland

> Architecture > Religious

> Arts > Artists > Related Images

> Arts > Landscape paintings > Landscape art > Landscape paintings

> Arts > Landscape paintings > Rural countryside paintings > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > Landscape paintings

> Arts > Landscape paintings > Waterfall and river artworks > River artworks

> Arts > Landscape paintings

> Arts > Literature > Books

> Arts > Literature


EDITORS COMMENTS
This black and white lithograph, titled "Jedburgh Abbey, 1882" by Alexander Francis Lydon, takes us back to the enchanting countryside of Scotland in the late 19th century. The print showcases the majestic ruins of Jedburgh Abbey, a stunning example of medieval architecture that dates back to the 12th century. Nestled on the riverbank, this abbey stands as a testament to both religious devotion and British history. A lone figure can be seen walking along a path near the abbey's facade, accompanied by his faithful canine companion. The man's presence adds a sense of scale and emphasizes the grandeur of this once magnificent structure. The image beautifully captures not only the architectural beauty but also highlights nature's role in reclaiming these ancient ruins. Overgrown vegetation surrounds Jedburgh Abbey, adding an air of mystery and melancholy to its disrepair. Lydon's attention to detail is evident in every stroke; he skillfully depicts textures and shadows that bring life to this monochromatic scene. This lithograph was featured in Frederick Ross' book "The Ruined Abbeys of Britain" published by William Mackenzie in London during 1897. As we gaze upon this print today, we are transported into a world where time seems suspended – where history intertwines with artistry. It serves as a poignant reminder of our rich cultural heritage and invites us to explore further into Britain's fascinating past through its many ruined abbeys scattered across its

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