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Pierre de Montarsis, c1692 (1894). Artist: Gerard Edelinck

Pierre de Montarsis, c1692 (1894). Artist: Gerard Edelinck


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Pierre de Montarsis, c1692 (1894). Artist: Gerard Edelinck

Pierre de Montarsis, c1692 (1894). From A Collection of Engraved Portraits (Further Selection) Exhibited by the Late James Anderson Rose, at the Opening of the New Library and Museum of the Corporation of London, November 1872, Vol. II. [Marcus Ward & Co, Limited, London, 1894]

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Media ID 14990887

© The Print Collector

Anthony Coypel Antoine Antoine Coypel Coypel Edelinck Gerard Gerard Edelinck Long Hair Long Haired Pierre De


FEATURES IN THESE COLLECTIONS

> Arts > Artists > C > Antoine Coypel

> Arts > Artists > E > Gerard Edelinck

> Arts > Artists > W > James Ward

> Arts > Literature

> Arts > Minimalist artwork > Monochrome artwork > Fine art

> Arts > Minimalist artwork > Monochrome artwork > Monochrome paintings

> Arts > Portraits > Black and white portraits > Fine art portraits

> Arts > Portraits > Black and white portraits

> Europe > United Kingdom > England > London > Fashion


EDITORS COMMENTS
This print showcases Pierre de Montarsis, a distinguished French gentleman from the late 17th century. The artist behind this remarkable piece is Gerard Edelinck, renowned for his exceptional talent in capturing the essence of his subjects. Pierre de Montarsis exudes an air of sophistication as he sits engrossed in a book, transporting us to a bygone era when literature was cherished and revered. His long hair cascades down his shoulders, adding to his enigmatic charm. Dressed impeccably in fashionable attire of the time, he epitomizes the elegance and refinement associated with French culture. The monochrome aesthetic adds depth and intensity to this portrait, highlighting every intricate detail meticulously engraved by Edelinck's skilled hand. The composition invites us into Pierre de Montarsis' world, where knowledge and art intertwine harmoniously. As we gaze upon this print, we are reminded of the rich history that lies within each stroke of Edelinck's engraving tool. It serves as a testament to the enduring power of art to capture not only physical likeness but also the spirit and character of its subject. This photograph print is part of A Collection of Engraved Portraits exhibited by James Anderson Rose at London's New Library and Museum in November 1872. Its inclusion in Marcus Ward & Co. 's publication further solidifies its significance as an invaluable piece depicting one man's contribution to both fashion and literature during France's illustrious past.

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