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Plantae et Papiliones rariores: Martynia, 1748. Creator: Georg Dionysius Ehret (German, 1708-1770)
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Plantae et Papiliones rariores: Martynia, 1748. Creator: Georg Dionysius Ehret (German, 1708-1770)
Plantae et Papiliones rariores: Martynia, 1748. Georg Ehret met Carolus Linnaeus in 1736. The dominant botanical artist in the mid-18th century, Ehret settled in England where the nobility clamored to receive his instruction. He commented in his autobiography, " If I could have divided myself into twenty parts I could still have had my hands full." Ehret struck a fine compromise between the artist and the scientist. " While he did not slavishly imitate what he saw, neither did he allow his feeling for the colour and design of flowers distract him from the fundamentals of plant structure, " confirms Wilfrid Blunt, author of The Art of Botanical Illustration. Ehrets crisp forms betray a sureness of touch, vigor of handling, and unerring instinct for design
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Media ID 19638199
© Heritage Art/Heritage Images
1708 1770 Georg Dionysius Ehret Georg Dionysius Ehret German
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EDITORS COMMENTS
This print showcases the exquisite botanical artwork of Georg Dionysius Ehret, a renowned German artist from the 18th century. Titled "Plantae et Papiliones rariores: Martynia, 1748" this piece exemplifies Ehret's mastery in capturing both scientific accuracy and artistic beauty. Ehret's meeting with Carolus Linnaeus in 1736 marked a significant turning point in his career. Settling in England thereafter, he became the preferred instructor for the aristocracy who sought his guidance. In his autobiography, Ehret expressed how demanding his profession was, stating that even if he had divided himself into twenty parts, he would still have been occupied to capacity. What sets Ehret apart is his ability to strike a harmonious balance between artistry and scientific precision. His keen eye for color and design never overshadowed his commitment to accurately depicting plant structures. Wilfrid Blunt affirms this sentiment by stating that Ehret's crisp forms reveal confidence in execution, dynamic handling techniques, and an innate understanding of composition. This particular engraving has been meticulously hand-colored to enhance its visual impact. Preserved by Heritage Art/Heritage Images at The Cleveland Museum of Art, it stands as a testament to Ehret's enduring legacy as one of the most influential botanical artists of his time.
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