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[Prison, Capuchin Convent], 1867. Creator: Francois Aubert

[Prison, Capuchin Convent], 1867. Creator: Francois Aubert


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[Prison, Capuchin Convent], 1867. Creator: Francois Aubert

[Prison, Capuchin Convent], 1867

Heritage Images features heritage image collections

Media ID 20166456

© Heritage Art/Heritage Images

Aubert Aubert Francois Capuchin Convent Francois François Aubert Mexico Nunnery Penitentiary Prison Albumen Silver Print


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> Architecture > Churches

> Architecture > Country > France

> Architecture > Related Images

> Architecture > Religious

> Architecture > Styles > Colonial Architecture

> Arts > Contemporary art > Photography > Landscape photography

> North America > Mexico > Related Images

> North America > United States of America > New York > New York > Sights > Metropolitan Museum of Art

> Popular Themes > Religious Images

> Religious Art > Religious Architecture


EDITORS COMMENTS
This photo print, titled "[Prison, Capuchin Convent], 1867" takes us back to the 19th century. Created by Francois Aubert, a renowned photographer of his time, this albumen silver print captures the essence of architecture and religious heritage in France. The image showcases a striking building that serves as both a prison and a Capuchin convent. The photograph transports us to an era when colonialism was prevalent, reflecting the influence of Christianity in different parts of the world. The juxtaposition of these two institutions - one representing law and order through its role as a penitentiary, while the other symbolizing spirituality and devotion - invites contemplation on society's complex relationship with religion. Aubert's skillful use of light and shadow enhances the dramatic effect of this outdoor scene. The viewer is drawn into the landscape surrounding the prison-convent complex, which hints at its location being Mexico or another country influenced by French colonialism during that period. As we admire this piece from Heritage Art collection housed at The Metropolitan Museum of Art (the Met), we are reminded not only of Aubert's artistic prowess but also how photography can serve as a powerful medium for documenting history. This print offers us a glimpse into an intriguing moment in time – where religion intersects with crime, architecture meets spirituality, and cultural heritage intertwines with societal norms.

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