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Initial Q Gillion Marie Gazing Carp Gillion Praying

Initial Q Gillion Marie Gazing Carp Gillion Praying


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Initial Q Gillion Marie Gazing Carp Gillion Praying

Initial Q: Gillion and Marie Gazing at Carp and Gillion Praying; Lieven van Lathem (Flemish, about 1430 - 1493), David Aubert (Flemish, active 1453 - 1479); Antwerp, Belgium; 1464; Tempera colors, gold, and ink on parchment; Leaf: 37 x 25.5 cm (14 9, 16 x 10 1, 16 in.)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18502828

© Liszt Collection

14 9 1430 1464 1479 1493 16 X 37 X Active 1453 Antwerp Belgium Carp David Aubert Flemish Initial Q Lathem Lieven Van Tempera Colors Parchment


EDITORS COMMENTS
This print from the Liszt Collection showcases a remarkable artwork titled "Initial Q Gillion Marie Gazing Carp Gillion Praying". Created by Flemish artists Lieven van Lathem and David Aubert in 1464, this piece is an exquisite example of their mastery in illuminating manuscripts. The image depicts two figures, identified as Gillion and Marie, engaged in different activities. On the left side of the initial 'Q, ' we see them gazing at a mesmerizing carp swimming gracefully. Their eyes are filled with awe and wonder as they observe the creature's beauty. The attention to detail is evident in every stroke of tempera colors used to bring life to this scene. On the right side, we witness another significant moment - Gillion deep in prayer. His hands clasped together fervently express his devotion and spirituality. This juxtaposition between admiration for nature and religious contemplation adds depth to the composition. The use of gold accents throughout enhances the luxurious feel of this illuminated manuscript leaf. The intricate patterns created with ink on parchment further demonstrate Van Lathem's skillful craftsmanship. Measuring 37 x 25.5 cm, this artwork demands attention with its striking composition and meticulous execution. It serves as a testament to Flemish artistry during the Renaissance period while offering viewers a glimpse into both natural beauty and spiritual introspection.

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