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Sugatami shichinin keshA aś = [Seven women applying make-up using a full-length

Sugatami shichinin keshA aś = [Seven women applying make-up using a full-length


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Sugatami shichinin keshA aś = [Seven women applying make-up using a full-length

Sugatami shichinin keshA aś = [Seven women applying make-up using a full-length mirror], Kitagawa, Utamaro (1753?-1806), (Artist)

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12957517

© A Artokoloro Quint Lox Limited

Beautiful Women Bijin Ga Color Prints Edo Period Japanese Artist Japanese Painting Japanese Prints Japanese Woodblock Prints Masterworks Of Ukiyo Passionate Art Portraits Ukiyo E Woodblock Prints


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EDITORS COMMENTS
This print titled "Sugatami shichinin keshA aś" showcases the exquisite artistry of Kitagawa Utamaro, a renowned Japanese artist from the 18th century. The image features seven beautiful women delicately applying make-up while using a full-length mirror, offering us a glimpse into the intimate world of Edo period Japan. Utamaro's mastery in ukiyo-e woodblock prints is evident in this piece, as he skillfully captures the grace and elegance of these bijin ga (beautiful women). Each woman's unique facial expression and intricate kimono patterns reflect their individual personalities and social statuses. The vibrant colors used in this artwork add depth and vibrancy to each character, enhancing their allure. Through his passionate brushstrokes, Utamaro brings life to these portraits, making them timeless masterworks that continue to captivate viewers even centuries later. This print from Artokoloro's Liszt Collection not only celebrates Utamaro's artistic genius but also offers us an insight into the rich cultural heritage of Japan. It serves as a reminder of the beauty found within everyday moments and highlights the importance placed on aesthetics during that era. Whether displayed in homes or galleries, this stunning artwork is sure to evoke admiration for its meticulous details and profound storytelling.

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