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Jean-Francois Millet (French, 1814 - 1875)

Jean-Francois Millet (French, 1814 - 1875)


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Jean-Francois Millet (French, 1814 - 1875)

Jean-Francois Millet (French, 1814 - 1875). Man Leaning on His Spade (L Homme appuye sur sa Beche), ca. 1847-1848. Etching on laid paper. Plate: 85 mm x 68 mm (3.35 in. x 2.68 in.) (sheet dimensions are irregular). Only state

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12693855

© Quint & Lox Limited

1814 1847 1848 1875 Expression Irregular Jean Franc Ois Millet Jean Francois Millet Laid Paper Man Leaning Only State


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EDITORS COMMENTS
This print showcases the artistic brilliance of Jean-Francois Millet, a renowned French painter from the 19th century. Titled "Man Leaning on His Spade (L'Homme appuyé sur sa Bêche)" this etching on laid paper was created around 1847-1848. In this intimate illustration, we witness a moment frozen in time. A man, presumably a laborer or farmer, leans on his spade with an air of contemplation and weariness. The delicate lines and intricate details captured by Millet's skilled hand bring forth a sense of creative expression and beauty that transcends time. The artwork exudes an old-world charm and elegance, transporting us to another era where simplicity and hard work were valued virtues. It provides us with a glimpse into the culture of rural France during that period - one filled with toil, resilience, and deep connection to the land. As we gaze upon this print from the Liszt Collection, we are reminded of Millet's ability to capture not only physical likeness but also emotional depth within his subjects. This particular piece represents much more than just a man leaning on his spade; it encapsulates the human spirit striving for meaning amidst life's challenges. Let this remarkable artwork serve as an invitation to explore further into Jean-Francois Millet's vast body of work - an exploration that promises endless discoveries about our shared history and ourselves.

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