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Joachim Anna Golden Gate Birth Mary Tempelgang Mariens
Wall Art and Photo Gifts from Liszt Collection
Joachim Anna Golden Gate Birth Mary Tempelgang Mariens
Joachim and Anna at the Golden Gate, Birth of Mary, Tempelgang Mariens, 1503, Mixed media on fir wood, 52 x 31.5 cm (each panel), Not marked. On the pedestal of the sculpture at the Golden Gate: ABRA HAM, on the walls in the midst of meaningless combinations of letters repeatedly fragments of text, as in the cloak of Joachim: VM ÔÇó THE ÔÇó WILEN, the Anna in front of the Golden Gate: GAN ÔÇó ZV [O] ÔÇó, MIR ÔÇó GOT ÔÇó WILKVM, Ambrosius Skeit, wahrscheinlich tatig um 1500 in Schwaben
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19590467
© Artokoloro
1503 Anna Birth Cloak Fir Wood Front Golden Gate Joachim Marked Mary Midst Mixed Media Pedestal Text Walls Schwaben
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EDITORS COMMENTS
This print from the Liszt Collection showcases the exquisite artwork titled "Joachim and Anna at the Golden Gate, Birth of Mary, Tempelgang Mariens". Created in 1503 by Ambrosius Skeit, a renowned artist believed to have worked in Schwaben around that time, this masterpiece is a true testament to his talent. The mixed media on fir wood composition measures 52 x 31.5 cm for each panel, displaying intricate details and vibrant colors. The sculpture at the Golden Gate features the inscription "ABRA HAM" on its pedestal, while the walls are adorned with seemingly random combinations of letters that form fragments of text. Notably, Joachim's cloak bears the enigmatic phrase "VM ÔÇó THE ÔÇó WILEN" adding an air of mystery to his character. Meanwhile, Anna stands before the majestic Golden Gate with her own cryptic message: "GAN ÔÇó ZV [O] ÔÇó MIR ÔÇó GOT ÔÇó WILKVM". This print beautifully captures every nuance and detail of this remarkable artwork. It allows viewers to appreciate Skeit's skillful brushstrokes and imaginative storytelling. Whether displayed as part of a private collection or exhibited in a gallery setting, this piece undoubtedly captivates all who lay eyes upon it
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