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Katharina Prestel after Giulio Romano (German, 1747 - 1794), Jupiter, 1781, aquatint

Katharina Prestel after Giulio Romano (German, 1747 - 1794), Jupiter, 1781, aquatint


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Katharina Prestel after Giulio Romano (German, 1747 - 1794), Jupiter, 1781, aquatint

Katharina Prestel after Giulio Romano (German, 1747 - 1794), Jupiter, 1781, aquatint and etching in dark and light brown

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12913736

© Quint Lox Limited

1747 1781 1794 Aquatint Brown Dark Giulio Giulio Romano Jupiter Katharina Katharina Prestel Light Prestel Romano


EDITORS COMMENTS
In this photo print, we are transported to the world of Katharina Prestel after Giulio Romano's masterpiece "Jupiter". Created in 1781, this aquatint and etching showcases the incredible talent of both artists. The dark and light brown tones add depth and richness to the composition, enhancing its dramatic effect. Prestel skillfully captures the essence of Romano's original work, which portrays Jupiter, the king of gods in Roman mythology. The image exudes power and majesty as Jupiter stands tall with a commanding presence. His muscular physique is emphasized through meticulous detailing, while his regal robes flow gracefully around him. The combination of aquatint and etching techniques adds texture to the print, creating a sense of dimensionality that draws us further into this mythical scene. Every stroke seems purposeful and deliberate, showcasing Prestel's mastery over her craft. As we gaze upon this remarkable piece by Quint Lox from Liszt Collection, we can't help but be captivated by its timeless beauty. It serves as a testament to the enduring influence of classical art on contemporary artists like Prestel. This print allows us to appreciate not only Romano's original creation but also Prestel's ability to reinterpret it with her own unique vision. Whether displayed in an art gallery or cherished within a private collection, this print undoubtedly holds immense artistic value for all who have the privilege to behold it.

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