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Lazio Viterbo Ronciglione Ss Pietro e Caterina
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Lazio Viterbo Ronciglione Ss Pietro e Caterina
Lazio Viterbo Ronciglione Ss. Pietro e Caterina, this is my Italy, the italian country of visual history, Post-medieval Architecture, sculpture, tabernacle, painting, ceiling frescoes. The Duomo is a Baroque structure build according to a design by Pietro da Cortona. The facade was renovated in the 17th century by Carlo Rainaldi 1671-1695, and the campanile was added in 1734. Upon a transept altar is placed a triptych of the Savior, depicting Christ, the Virgin and S. John. The triptych, by Gabriele di Francesco of Viterbo, dates from the 15th century. Directly above the altar is a painting of the Assumption by Francesco Trevisani. Also in the transept is the altar of the Madonna of the Rosary, by Giuseppe Ghezzi. Above the main altar is a painting of the Madonna and Child with saints, a work of the school of Giulio Romano
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 18738274
© Liszt Collection
1734 Assumption Baroque Structure Build According Campanile Carlo Rainaldi 1671 1695 Ceiling Frescoes Dates Directly Duomo Francesco Trevisani Gabriele Di Francesco Giulio Romano Giuseppe Ghezzi Main Altar Pietro Da Cortona Pietro E Caterina Placed A Triptych Renovated Ronciglione Ss Rosary S John Saints Savior School Tabernacle Transept Triptych Upon A Transept Altar Work
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EDITORS COMMENTS
This print showcases the magnificent beauty of Lazio Viterbo Ronciglione Ss Pietro e Caterina, a true testament to Italy's rich visual history. The post-medieval architecture, intricate sculptures, exquisite tabernacles, vibrant paintings, and breathtaking ceiling frescoes all come together in this Italian masterpiece. The Duomo stands proudly as a Baroque structure designed by the talented Pietro da Cortona. Its facade underwent renovations in the 17th century under Carlo Rainaldi's skilled hands from 1671 to 1695. In 1734, the campanile was added to complete its grandeur. One cannot help but be captivated by the triptych of the Savior placed on an altar within the transept. Created by Gabriele di Francesco of Viterbo during the 15th century, it depicts Christ alongside the Virgin Mary and Saint John. Above this altar hangs a remarkable painting of the Assumption by Francesco Trevisani. As you explore further into this sacred space, you will discover Giuseppe Ghezzi's altar dedicated to Madonna of the Rosary in another section of the transept. And above it all reigns a mesmerizing painting depicting Madonna and Child with saints—a work attributed to Giulio Romano's school—gracing the main altar. This print not only captures an extraordinary moment frozen in time but also invites us into Italy's cultural heritage—an immersive experience through centuries-old artistry that continues to inspire awe and admiration today.
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