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Liber Studiorum Plate 29 Harlech Castle N Wales

Liber Studiorum Plate 29 Harlech Castle N Wales


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Liszt Collection

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Liber Studiorum Plate 29 Harlech Castle N Wales

Liber Studiorum: Plate 29, Harlech Castle, N. Wales, 1838. John Sell Cotman (British, 1782-1842). Softground etching, from a bound volume containing 48 plates; sheet: 49.6 x 32 cm (19 1/2 x 12 5/8 in.); platemark: 18.9 x 12.5 cm (7 7/16 x 4 15/16 in.)

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Media ID 18460161

© Liszt Collection

1782 1842 1838 48 Plates Bound Volume John Sell Cotman Liber Studiorum Plate 29 Softground Etching Wales Harlech Castle


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> Arts > Artists > C > John Sell Cotman

> Europe > United Kingdom > Wales > Castles

> Europe > United Kingdom > Wales > Gwynedd > Harlech


EDITORS COMMENTS
This print showcases "Liber Studiorum Plate 29 Harlech Castle N Wales" a masterpiece created by the talented British artist John Sell Cotman in 1838. The artwork, which is a softground etching, is part of a bound volume containing 48 plates that exemplify Cotman's exceptional skills and artistic vision. In this particular piece, Cotman beautifully captures the majestic Harlech Castle located in North Wales. The composition highlights the castle's grandeur against the backdrop of a serene landscape. With meticulous attention to detail, Cotman expertly portrays the architectural intricacies of the castle while also capturing its imposing presence. The dimensions of this print are impressive; measuring at approximately 49.6 x 32 cm (19 1/2 x 12 5/8 in. ), it allows viewers to fully appreciate every delicate line and stroke made by Cotman's hand during his creative process. The platemark itself measures around 18.9 x 12.5 cm (7 7/16 x4 /15/16 in. ), further emphasizing the precision and skill involved in producing this remarkable work. As an integral part of "Liber Studiorum" an esteemed collection by John Sell Cotman, Plate 29 offers art enthusiasts a glimpse into his mastery as well as his deep appreciation for landscapes and architecture. This print serves as both an exquisite decorative piece and a testament to Cotman's enduring legacy within British art history.

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