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CarA patrA Pandaron vow silence knocks doors
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CarA patrA Pandaron vow silence knocks doors
Carepatre Pandaron, A Carepatre Pandaron, who has taken a vow of silence and knocks on the doors to ask for rice, Signed: P. Sonnerat pinx, Poisson sc, pl. 70, before p. 257 (vol. 1), Sonnerat, Pierre M. (pinx.); Poisson, Jean-Baptiste Marie (sculp.), 1782, Sonnerat, Pierre: Voyages aux Indes orientales et a la Chine. fait par ordre du Roi depuis 1774 jusqu en 1781: dans lequel on traite des moeurs, de la religion, des sciences & des arts des Indiens, des Chinois, des Pegouins & des Madegasses (...). Paris: chez l auteur: chez Froule: chez Nyon... 1782
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19591437
© Artokoloro
1782 Chez Froulé Chez Lauteur Chez Nyon Dans Lequel De La Religion Des Chinois Des Pégouins Des Madégasses Des Sciences Des Arts Des Indiens Doors Jean Baptiste Marie La Chine P Sonnerat Pinx Pierre Pierre M Poisson Poisson Sc Rice Signed Silence Sonnerat Traite Des Moeurs Vol 1 Voyages Aux Indes Orientales Knocks
EDITORS COMMENTS
The captivating print titled "CarA patrA Pandaron vow silence knocks doors" transports us to a moment frozen in time, capturing the essence of a Carepatre Pandaron. This enigmatic figure has taken a solemn vow of silence, and yet he embarks on a unique quest - knocking on doors to ask for rice. The image is signed by P. Sonnerat as the painter and Poisson as the sculptor, dating back to 1782. It belongs to Pierre Sonnerat's renowned work "Voyages aux Indes orientales et à la Chine" where he delves into the customs, religion, sciences, and arts of Indians, Chinese people, Pegouins (Burmese), and Madegasses (Malagasy). In this particular scene captured by Sonnerat's brushstroke and Poisson's skillful engraving on plate 70 before page 257 in volume one of his book, we witness an intriguing encounter between tradition and necessity. The Carépatré Pandaron seeks sustenance through humble means while honoring his commitment to silence. This evocative print invites contemplation about the power of communication beyond words. It prompts us to reflect on how actions can speak louder than any spoken language or verbal plea for help. As we gaze upon this historical artifact from Sonnerat's voyages through distant lands during the late eighteenth century in Paris' publishing houses like Froule and Nyon; we are reminded that art transcends time itself – preserving stories that would otherwise be lost forever.
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