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Ichikawa komazAc no sano no genzaemon segawa kikunojAc no keisei tamagiku, The actors

Ichikawa komazAc no sano no genzaemon segawa kikunojAc no keisei tamagiku, The actors


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Liszt Collection

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Ichikawa komazAc no sano no genzaemon segawa kikunojAc no keisei tamagiku, The actors

Ichikawa komazAc no sano no genzaemon segawa kikunojAc no keisei tamagiku, The actors Ichikawa KomazAc as Sanno no Genzaemon and Segawa KikunojAc as the keisei Tamagiku. Kitao, Shigemasa, 1739-1820, artist, [between 1764 and 1772], 1 print : woodcut, color; 30.3 x 13.7 cm. Print shows the actor Ichikawa KomazAc as Sanno no Genzaemon holding an umbrella and walking with the courtesan Tamagiku, portrayed by the actor Segawa KikunojAc

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12669005

© Quint Lox Limited

1739 1820 1764 1772 Actor Actors Courtesan Holding Ichikawa Kikunojo Kitao Portrayed Sanno Segawa Shigemasa Shows Umbrella Walking Keisei Sano


EDITORS COMMENTS
In this woodcut print by artist Kitao Shigemasa, we are transported to the world of traditional Japanese theater. The print features two renowned actors, Ichikawa Komazō and Segawa Kikunojō, in their respective roles as Sanno no Genzaemon and the courtesan Tamagiku. Ichikawa Komazō is depicted with great elegance and poise, holding an umbrella as he walks alongside Segawa Kikunojō's character. The vibrant colors used in the woodcut bring life to the scene, highlighting the intricate details of their costumes. Sanno no Genzaemon exudes a sense of nobility and strength through his portrayal by Ichikawa Komazō. His presence is commanding, capturing our attention as he gracefully moves forward. Walking beside him is Tamagiku, brought to life by Segawa Kikunojō's artistry. As a keisei or courtesan, she embodies beauty and gracefulness that captivates all who gaze upon her. This print not only showcases the skillful performances of these actors but also provides us with a glimpse into the rich cultural heritage of Japan during this period between 1764 and 1772. It serves as a testament to the enduring popularity of traditional theater forms like kabuki. Quint Lox has captured this remarkable artwork from Liszt Collection for us to appreciate its historical significance and artistic brilliance.

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