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Louise Juliana of Orange-Nassau enthroned under canopy, print maker: Cornelis van Dalen I

Louise Juliana of Orange-Nassau enthroned under canopy, print maker: Cornelis van Dalen I


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Liszt Collection

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Louise Juliana of Orange-Nassau enthroned under canopy, print maker: Cornelis van Dalen I

Louise Juliana of Orange-Nassau enthroned under canopy, print maker: Cornelis van Dalen I, Horn, Joannes Maire, 1645

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 12722557

© Quint Lox Limited

1645 Canopy Cartouche Cornelis Van Dalen Districts Enthroned Louise Orange Over State States Symbol Symbols Tree Crests Juliana


EDITORS COMMENTS
In this print from 1645, we are transported back in time to witness the regal presence of Louise Juliana of Orange-Nassau. The esteemed princess is depicted enthroned under a magnificent canopy, radiating power and grace. This remarkable artwork was skillfully created by the renowned printmaker Cornelis van Dalen I. The composition is rich with symbolism, reflecting the importance of state and nationhood. A prominent symbol that catches our attention is the orange tree, representing the House of Orange-Nassau's lineage and heritage. It serves as a reminder of their significant role in Dutch history. Louise Juliana herself exudes authority as she sits upon her throne, draped in opulent garments befitting her royal status. Above her head, a grand cartouche proudly displays crests associated with particular nations and states linked to her family's influence. This exquisite piece captures not only Louise Juliana's individual power but also represents an era defined by political alliances and territorial ambitions. The collaboration between Cornelis van Dalen I and Joannes Maire has resulted in an extraordinary work that continues to captivate viewers centuries later. Quint Lox expertly brings attention to this historical gem from the Liszt Collection through his insightful captioning. Through his words, we are invited into a world where art meets history, allowing us to appreciate both its aesthetic beauty and its cultural significance beyond any commercial value it may hold.

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