Descente dans les ateliers de la liberte de la presse
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Descente dans les ateliers de la liberte de la presse
Descente dans les ateliers de la liberte de la presse. Print shows on the left, King Louis-Philippe in a right side profile, whiskers obscuring his face, with his hand over the mouth of a female printer, representing freedom of the press, and showing on the far left, Jean-Charles Persil holding a large pair of scissors, the typical device identifying a censor. Other government officials attempt to overturn the press and confront other printers near a press in the background. Hanging from wires above are issues of La Caricature and Droits de L Homme. Date 1832?. Descente dans les ateliers de la liberte de la presse. Print shows on the left, King Louis-Philippe in a right side profile, whiskers obscuring his face, with his hand over the mouth of a female printer, representing freedom of the press, and showing on the far left, Jean-Charles Persil holding a large pair of scissors, the typical device identifying a censor. Other government officials attempt to overturn the press and confront other printers near a press in the background. Hanging from wires above are issues of La Caricature and Droits de L Homme. Date 1832?
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Media ID 7266381
© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10602339
Dans Liberte Ateliers Descente Presse
EDITORS COMMENTS
Descente dans les ateliers de la liberté de la presse" (Descent into the Workshops of Press Freedom) is a powerful and evocative print that captures a pivotal moment in the history of the French press and the struggle for freedom of speech. The image, believed to date from 1832, depicts King Louis-Philippe, the monarch of France at the time, making a descent into the workshops of the press to suppress the publication of two controversial journals: La Caricature and Droits de l'Homme. On the left side of the print, Louis-Philippe is shown in a right side profile, his whiskers obscuring his face, as he reaches out to silence a female printer, symbolizing the very essence of press freedom. In stark contrast, Jean-Charles Persil, the censor, is depicted on the far left, holding a large pair of scissors, the typical device identifying his role in suppressing dissenting voices. The chaotic scene unfolds behind them, with government officials attempting to overturn the press and confront other printers near a press in the background. Hanging from wires above are issues of La Caricature and Droits de l'Homme, which had recently published satirical cartoons that had offended the monarchy and the Catholic Church. The print is a poignant reminder of the ongoing struggle for freedom of the press and the importance of the role of the press in holding those in power accountable. It also underscores the risks and sacrifices that journalists and printers were willing to make in the pursuit of truth and the defense of individual liberties. Despite the challenges and dangers, the print ultimately conveys a sense of hope and determination, as the printers continue their work, defying the efforts of the authorities to silence them. The image remains a powerful symbol of the resilience of the press and the enduring importance of freedom of speech in democratic societies.
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