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Pluto entering Underwold chairot Cereberus three Furies

Pluto entering Underwold chairot Cereberus three Furies


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Pluto entering Underwold chairot Cereberus three Furies

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14050124

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1499 –1546 1615–1700 1680 Entering Giulio Romano Mantua Pietro Santi Bartoli Pluto Giove Che Fulmina Li Giganti Palazzo Del Te


FEATURES IN THESE COLLECTIONS

> Arts > Artists > R > Giulio Romano

> Europe > Italy > Lazio > Rome

> Europe > Italy > Lombardy > Mantua

> Europe > Italy > Umbria > Perugia


EDITORS COMMENTS
This print from the Liszt Collection transports us to a mesmerizing scene depicting Pluto's entrance into the underworld. The artwork, titled "Pluto entering Underworld chariot Cereberus three Furies" is a stunning representation of Giulio Romano's frescoes found on the ceiling of Sala dei Giganti in Palazzo del Te, Mantua. The image showcases Pluto, the ruler of the underworld, as he descends upon his fearsome chariot accompanied by Cerberus and three fierce Furies. The composition exudes an air of power and darkness, perfectly capturing the essence of this mythical realm. Giulio Romano's masterful design comes to life through this etching by Pietro Santi Bartoli. The intricate details and skillful execution transport viewers into a world where gods reign supreme and mortals tremble at their might. Measuring 7 1/2 x 10 1/8 inches (191 x 257 cm), this print allows us to appreciate every nuance and brushstroke that went into creating such a magnificent piece. It serves as a testament to Italian artistry during the Renaissance period when mythology played an integral role in artistic expression. Whether displayed in a gallery or cherished within one's personal collection, this Artokoloro print offers an opportunity for art enthusiasts to delve into ancient mythology while admiring the talent of both Giulio Romano and Pietro Santi Bartoli.

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Related Images


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