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Sampling Officials Amsterdam Drapers Guild Syndics
Wall Art and Photo Gifts from Liszt Collection
Sampling Officials Amsterdam Drapers Guild Syndics
The Sampling Officials of the Amsterdam Drapers Guild, Known as The Syndics The Wardens of the Amsterdam Drapers Guild, Known as The Syndics The Wardens of the Amsterdam Drapers Guild, Known as The Syndics The Sampling Officials of the Amsterdam Drapers Guild, known as The Syndics, De Staalmeesters: the college of steel masters of the Amsterdam clothmakers guild, gathered around a table on which a Persian rug is lying, . The following are proposed (from left to right): Jacob van Loon (1595-1674), Volckert Jansz (1605 / 10-81), Willem van Doeyenburg (ca. 1616-87), the servant Frans Hendricksz Bel (1629-1701), Aernout van der Mye (ca. 1625-81) and Jochem de Neve (1629-81). Right above the hearth a painting with a burning beacon, officers trusted with control of quality, table, book - MM - book open, Amsterdam, Jacob van Loon, Volckert Jansz, Willem van Doeyenburg, Frans Hendricksz Bel, Aernout van der Mye, Jochem de Neve, Rembrandt van Rijn, 1662, canvas, oil paint (paint), h 191.5 cm × w 279 cm
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19560949
© Artokoloro
1605 1662 Book Book Open College Control Gathered Hearth Lying Proposed Rembrandt Van Rijn Right Table Oil Paint Persian Rug Quality Wardens
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EDITORS COMMENTS
This print captures a significant moment in the history of the Amsterdam Drapers Guild. Known as "The Syndics" these sampling officials were responsible for maintaining the quality and standards of the guild's cloth production. In this scene, they are gathered around a table adorned with a beautiful Persian rug. From left to right, we see Jacob van Loon, Volckert Jansz, Willem van Doeyenburg, Frans Hendricksz Bel (the servant), Aernout van der Mye, and Jochem de Neve. Each individual holds an important role within the guild and is entrusted with upholding its reputation. Rembrandt van Rijn masterfully portrays their presence through his skilled use of oil paint on canvas. The composition is enriched by a painting above the hearth depicting a burning beacon symbolizing their duty to maintain vigilance over quality control. As we observe this artwork from the Liszt Collection, we are transported back to 1662 when Amsterdam was at its peak as a center for textile production. This image serves as both a historical document and an artistic masterpiece that immortalizes these influential figures who shaped the city's thriving clothmaking industry.
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