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Shakespeare Sacrificed Offering Avarice June 20

Shakespeare Sacrificed Offering Avarice June 20


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Liszt Collection

Wall Art and Photo Gifts from Liszt Collection

Shakespeare Sacrificed Offering Avarice June 20

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14077815

© Copyrighted

1756–1815 1789 1805 Aquatint Avarice Boydell Chelsea Exhibition James Gillray June 20 Offering Project Sacrificed Scheme Shakespeare Shakespeare Gallery Undescribed State Financed Hire


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> Arts > Artists > G > James Gillray

> Europe > United Kingdom > England > London > Boroughs > Kensington and Chelsea

> Europe > United Kingdom > England > London > Towns > Chelsea


EDITORS COMMENTS
This print titled "Shakespeare Sacrificed Offering Avarice June 20" by Artokoloro captures a thought-provoking scene from the year 1789. The etching and aquatint technique used in this undescribed state image brings to life an intriguing narrative that unfolds before our eyes. In this artwork, we witness the genius playwright William Shakespeare making a sacrificial offering to Avarice, personified as a menacing figure. This symbolic act reflects the artist's commentary on the greed and materialism prevalent during that era. The composition is meticulously crafted, with intricate details showcasing James Gillray's artistic prowess. The size of this print, measuring approximately 18 5/8 x 14 15/16 inches (47.3 x 37.9 cm), allows viewers to fully immerse themselves in its rich imagery and symbolism. Created in London in 1805 under the publisher John Boydell for his renowned Shakespeare Gallery exhibition space, it was initially financed through print subscriptions. However, despite Boydell's ambitious efforts, he ultimately failed to hire artists for his grand project due to financial constraints. It is fascinating how Gillray reciprocated with a scathing parody of Boydell's scheme through this satirical artwork. As we delve into this mesmerizing piece from Artokoloro's Liszt Collection, we are transported back in time to an era where art served as both entertainment and social commentary. Through its powerful imagery and historical context, "

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