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Study Memorial Sketchbook ca 1860 Graphite paper

Study Memorial Sketchbook ca 1860 Graphite paper


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Liszt Collection

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Study Memorial Sketchbook ca 1860 Graphite paper

Artokoloro

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 14010608

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152 Cm 1830–1910 1860 8 13 16 American Sculpture Bison Classically Dean Figures Henry Kirke Brown Horseback Include Indians Influenced Intimate Look John Quincy Adams Ward Memorial Methods Mingled Number Ohio Page Sketchbook Sketches Student Study Urbana Ward Working


FEATURES IN THESE COLLECTIONS

> Animals > Mammals > Bovidae > American Bison

> Animals > Mammals > Bovidae > Bison

> Arts > Artists > W > John Quincy Adams Ward

> Arts > Realistic drawings > Figure drawing > Fine art portraits

> Liszt Collection > Sketches

> North America > United States of America > New York > New York > Related Images


EDITORS COMMENTS
This print showcases the "Study Memorial Sketchbook ca 1860 Graphite paper" by Artokoloro, offering a glimpse into the artistic world of John Quincy Adams Ward. The sketchbook, dating back to approximately 1860, measures an impressive 8 13/16 by 22 4/5 inches (224 x 152 cm) and contains a collection of intricate drawings. Ward, an American artist hailing from Urbana, Ohio (1830–1910), was known for his contributions to sculpture in New York City. This particular sketchbook reveals Ward's early years as a student under the guidance of Henry Kirke Brown, who was considered the dean of American sculpture at that time. Flipping through its pages provides an intimate look into Ward's creative process and working methods. His sketches include classically influenced figures mingled with depictions of Native Americans on horseback and a number of bison. Each stroke on the graphite paper captures his dedication to detail and mastery over form. Art enthusiasts will appreciate this rare opportunity to delve into the mind of such a talented artist. The "Study Memorial Sketchbook ca 1860 Graphite paper" offers valuable insights into Ward's development as he honed his skills and experimented with various subjects. It is truly a treasure trove for those seeking inspiration or desiring a deeper understanding of American sculpture during this era.

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