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Table setting wedding Johann Wilhelm Duke Julich-Cleves

Table setting wedding Johann Wilhelm Duke Julich-Cleves


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Table setting wedding Johann Wilhelm Duke Julich-Cleves

Table setting for the wedding of Johann Wilhelm, Duke of Julich-Cleves and Jacobe, Margravine of Baden, Beschreibung derer furstlicher guligscher andc. Hochzeit: so im Jahr Christi tausent funffhundert achtzig funff, am sechszehenden Junij vnd nechstfolgenden acht Tagen, zu Dusseldorff mit grossen Freuden, furstlichen Triumph vnd Herrligkeit gehalten worden, Graminaeus, Theodor, b. ca. 1530, Hogenberg, Franz, d. 1590?, Etching, 1587, The sugar sculptures of mythic, natural, and heraldic animals serve as ornaments for the banquet table in the great hall of the castle at Dusseldorf. Inscribed at plates lower margin, poem in quatrain: Nach verrichtem Mahll ghalden tantz, Ein Thiss war zugerichtet gantz, Mit Zuckerwerck herlieh besetzt

Liszt Collection of nineteenth-century engravings and images to browse and enjoy

Media ID 18510716

© Liszt Collection

1530 1587 1590 Andc Baden Castle Christi Duke Dusseldorf Franz Great Hall Grossen Inscribed Lower Margin Ornaments Poem Serve Sugar Sculptures Table Setting Theodor Wedding Hogenberg Johann Wilhelm Margravine Mythic Quatrain Worden


EDITORS COMMENTS
This print showcases the exquisite table setting for the grand wedding of Johann Wilhelm, Duke of Julich-Cleves, and Jacobe, Margravine of Baden. The opulent banquet took place in the magnificent great hall of Dusseldorf Castle, where every detail was meticulously arranged to create an atmosphere of regal splendor. The focal point of this enchanting scene is undoubtedly the sugar sculptures adorning the banquet table. These masterpieces depict a mesmerizing array of mythic creatures, natural elements, and heraldic animals. Crafted with utmost skill and artistry, these delicate creations serve as ornate decorations that add an air of whimsy and elegance to the festivities. As we delve into this visual masterpiece captured through etching by Graminaeus Theodor and Franz Hogenberg in 1587, we are transported back in time to witness a celebration filled with joyous revelry. The lower margin features a poetic quatrain inscribed on the plate itself—an ode to merriment and dance that perfectly encapsulates the spirit of this momentous occasion. While gazing upon this remarkable tableau from centuries past, one cannot help but marvel at its historical significance and artistic brilliance. It serves as a testament to the lavishness and grandeur associated with noble weddings during that era.

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