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Venus Amor sitting naked rug floor holds burning heart
Wall Art and Photo Gifts from Liszt Collection
Venus Amor sitting naked rug floor holds burning heart
Venus and Amor, Venus and Amor. Venus is sitting naked on a rug on the floor. She holds a burning heart in her left hand and puts her right arm over the shoulders of Amor who is about to shoot an arrow. Bottom left two mating pigeons, on the rug are some flowers, doves, pigeons, Venus and Cupid (Cupid not being more attribute), profane heart symbolism, love, Willem III (Prince of Orange and King of England, Scotland and Ireland), Jacob de Gheyn (II), 1605 - 1610, panel, oil paint (paint), h 132 cm × w 112 cm d 7.5
Liszt Collection of nineteenth-century engravings and images to browse and enjoy
Media ID 19554320
© Artokoloro
1605 1610 Amor Arrow Attribute Burning Heart Cupid Doves Floor Holds Ireland Jacob De Gheyn King Left Hand Love Orange Pigeons Prince Puts Right Arm Shoot Shoulders Venus Willem Iii Oil Paint
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EDITORS COMMENTS
In this print from the Liszt Collection, we are transported to a scene of profound love and passion. The central figure is Venus Amor, depicted sitting naked on a luxurious rug spread across the floor. Her vulnerability is juxtaposed with her commanding presence as she holds a burning heart in her left hand, symbolizing the intensity of her emotions. Beside Venus stands Amor, poised to shoot an arrow that will undoubtedly ignite another soul with love's fervor. Their connection is palpable as Venus gently rests her right arm over his shoulders, signifying their unbreakable bond. The artist skillfully incorporates various elements into this composition to enhance its symbolism. In the bottom left corner, two pigeons engage in mating rituals, representing fertility and eternal devotion. Delicate flowers grace the rug alongside doves and additional pigeons, further emphasizing themes of purity and everlasting affection. This masterpiece also alludes to historical figures such as Willem III, Prince of Orange and King of England, Scotland, and Ireland during the late 17th century. Additionally attributed to Jacob de Gheyn II between 1605-1610 using panel and oil paint techniques; it showcases their mastery in capturing raw human emotions through art. With its profane heart symbolism at its core, this image encapsulates the essence of love itself - intense yet delicate; passionate yet tender. It serves as a timeless reminder that love knows no boundaries or limitations but has the power to transcend time itself.
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