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Duke Williams Ghost, published by Hannah Humphrey in 1799 (hand-coloured etching)
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Duke Williams Ghost, published by Hannah Humphrey in 1799 (hand-coloured etching)
NCO193123 Duke Williams Ghost, published by Hannah Humphrey in 1799 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College, Oxford; (add.info.: Lord William Wyndham Grenville (1749-1834); George, Prince of Wales (1732-1830); ); English, out of copyright
Media ID 22341448
© Bridgeman Images
Appearance Asleep Bedroom Bicorn Bottle Buttocks Chubby Cockade Disarray Dishevelled Drunk Drunkard Eerie Enormous Feathers Grains Haunted Haunting Hourglass Overweight Phantom Plumes Political Satire Prinnie Queue Regency Regent Sands Sinister Spectre Tiara Timer Unconscious Vision Visitation Sprawled
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The captivating hand-coloured etching titled "Duke Williams Ghost" takes us back to the year 1799, a time of political turmoil and satirical expression. Created by James Gillray and published by Hannah Humphrey, this artwork offers a glimpse into the Georgian era's biting sense of humor. In this scene, we find Lord William Wyndham Grenville, an esteemed statesman, fast asleep in his disheveled bedroom. Unbeknownst to him, a phantom-like figure emerges from the clouds with eerie plumes and feathers adorning its chubby frame. This spectre represents none other than George, Prince of Wales - known for his extravagant lifestyle and love for indulgence. The artist skillfully captures the essence of political satire as he portrays Grenville sprawled on his bed in an unconscious state. The room is filled with spilled wine bottles and an hourglass ominously counting down the sands of time. A cockade tiara rests haphazardly on Grenville's head while his bicorn hat lies discarded nearby. Through this haunting visitation, Gillray exposes Grenville's perceived weaknesses: his overweight appearance and alleged fondness for drink. The caricature serves as a scathing commentary on both politicians' actions during that period. This engraving not only showcases Gillray's artistic prowess but also highlights the power of visual satire in shedding light on societal issues. It remains a testament to how art can transcend time and continue to provoke thought centuries later.
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![Comfort of a Bed of Roses, Gillray, James, 1756-1815, engraver, [London] : H. Humphrey](/sq/694/comfort-bed-roses-gillray-james-1756-1815-12865225.jpg.webp)
