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China Clay - Satisfaction
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China Clay - Satisfaction
China Clay - Satisfaction. Florence Mary Anderson / Molly MacArthur (1893-1972) had two distinct styles of illustration. From the middle of the 1920s, she moved on from earlier highly-decorative fairy art to produce beautiful monotone woodcuts in a distinctly oriental style. This artwork (as seen here) was produced under the name Molly MacArthur, or F.M. MacArthur.
1922
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Media ID 18527786
© The Florence Mary Anderson Collection / Mary Evans Picture Library
Anderson Clay Florence Macarthur Molly Monochrome Monotone Satisfaction Woodcut 1922
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This woodcut print, titled "China Clay - Satisfaction," is a stunning example of the monotone masterpieces created by the talented artist Molly MacArthur, also known as Florence Mary Anderson, during the 1920s. Having previously gained recognition for her intricately decorative fairy art, MacArthur underwent a creative transformation in the mid-1920s, shifting towards an oriental style that showcased her exceptional skill in woodcut monotone techniques. The title "China Clay - Satisfaction" adds an enigmatic layer to this artwork, as it does not directly refer to the China Clay Company or any commercial use. Instead, the title seems to suggest a deep sense of contentment or fulfillment, which is beautifully conveyed through the serene image of a woman seated on a mat, her hands folded in her lap, and her eyes closed in blissful repose. The delicate, flowing lines of her robe and the intricate patterns of the mat and surrounding landscape are expertly rendered in the rich, velvety tones of the monochrome palette. MacArthur's ability to capture the essence of the oriental aesthetic in her woodcut prints was unparalleled, and "China Clay - Satisfaction" is a testament to her artistic prowess. The harmonious blend of minimalist composition, intricate detail, and evocative title make this a truly captivating work of art that continues to captivate viewers to this day.
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